Showing posts with label mourning. Show all posts
Showing posts with label mourning. Show all posts

Vulcanite: A Fashion Trend

Rubber Victorian jewelry? Yes indeed!

Upon the death of Queen Victoria’s husband, Prince Albert, black jewelry became the height of fashion as the queen chose to wear black the rest of her life. Consequently, black jewelry was fashioned from a wide variety of materials. One of those materials was Vulcanite.

Vulcanite is a substance formed by combining sulphur and India rubber, a natural rubber, and then heating - or vulcanizing - the mixture. It becomes a hard, black material, originally intended to take the place of ebony wood. Charles Goodyear is generally given credit for developing the process and his patent occurred in 1844.

Vulcanite (sometimes called Ebonite) can be confused with other substances such as Gutta Percha, Jet, French Jet, or Bog Oak. It helps to know that Vulcanite is a molded material with rounded edges, not carved with sharp edges like Jet or French Jet. It can be polished to have a matte sheen, but the finish will never be as glossy as Jet or French Jet. Bog Oak has growth lines since it is wood, but Vulcanite does not.

Gutta Percha is also a molded material, but it was almost always used for making utilitarian household and commercial items such as boot soles and gussets, buttons, carriage belts, tubs, pails, cables, golf balls, etc. Vulcanite, on the other hand, was used for every imaginable type of jewelry - earrings, brooches, watch fobs, lockets, etc. Originally manufactured as black jewelry, over time Vulcanite can turn brown.

Another way to try and identify whether or not the material is Vulcanite will be to rub the piece and if it is Vulcanite, it will smell like rubber.  If all else fails, you can do a taste test. Yes, actually lick the piece!  If the item tastes salty, it’s Gutta Percha. If not, it’s Vulcanite. If you don’t want to do the taste test, assume that the jewelry is Vulcanite and you’ll be right most of the time.

Here are some pictures from my collection. And just for fun, at the bottom is a pair of earrings in my shop made with genuine vintage Vulcanite! 

Victorian Vulcanite Lockets and Chains. Holly Sheen Collections.




Victorian Vulcanite Pendants. Holly Sheen Collections.



Victorian Vulcanite Bracelet. Holly Sheen Collections.

Victorian Vulcanite Brooches. Holly Sheen Collections.

Victorian Vulcanite Hair Combs. Holly Sheen Collections.

 

Victorian Bonnet Veils - Not Just for Mourning

Yes, veils were worn for mourning. However, veils were not just for mourning. Veils were a common, practical fashion accessory in the 1860s and were worn for several reasons.

  • Veils protected the eyes from the sun's glare, just like sunglasses do now.

  • Veils protected the face from flying insects and dust. Remember, buggies, wagons and horse-backing riding didn't provide windshields! 

  • Veils offered a lady privacy. They created a personal space for her, even in a public place.

As you can see from this CDV, veils were worn with both bonnets and hats. These ladies have pulled their veils back so you can see their faces. 



Veils have been worn for centuries so ladies wearing them in the 1860s was not a new idea. Veils were worn by young and old alike. Here is both an older lady and a young lady wearing one.



Regardless of race, income and social position, many ladies wore them. 



They were appropriate for both winter and summer weather. 



Veils generally come in a half-oval shape or some rectangular configuration. They seem to be predominantly black or white, but they can also come in colors such as blue, green, and brown. The following snippets from fictional works of the day will illustrate.

Godey’s Lady's Book, 1861
My Ward
She was muffled up in furs, woolens, shawls till she was nearly as broad as she was long, and wore a heavy brown veil.


Peterson’s Magazine, 1864
Fanny’s Flirtation
As the vehicle drew up, in obedience to my summons, a glance inside discovered two females—one somewhere between sixty and a hundred and fifty, and the other composed principally of green veil drawn well over the face...

Peterson’s Magazine, 1864
The Lost Estate
She stopped and looked after him, thrusting the brown veil aside that covered her face.

Littell’s Living Age, Volume 74, by Eliakim Littell, Robert S. Littell (1862)
Chronicles of Carlingford
He went that way—that way, look!—in a cab, with somebody in a blue veil.




I love this lovely yet practical Victorian accessory! In fact, I offer bonnet veils in my shop. My veils are copied from an original veil in my collection.

Available in my shop