Showing posts with label bracelet. Show all posts
Showing posts with label bracelet. Show all posts

Cameos

The first cameos were created thousands of years ago in ancient Egypt. They have been a favorite item of jewelry for centuries, though they have waxed and waned in popularity depending on the era. 

Cameos have been carved from a wide variety of materials such as stones, shell, coral, lava, bog oak, Vulanite, ivory, and glass. 

Common subjects are portraits of ladies, soldiers, rulers and scholars, mythology, animals, Biblical events, and landscapes or scenes. 



Worn by both men and women, cameos have been worn set in brooches, earrings, necklaces, rings, bracelets, fobs and pins. 



Cameos may be carved in low relief where the subject barely protrudes from the background, or high relief where the subject projects a great deal from the background. 



Queen Victoria, a world trend setter, loved cameos. Her interest caused cameos to rocket into popularity once again in the mid-1800s. They were in demand as tourist souvenirs as well. Those who made the ‘grand tour’ in Europe often chose a cameo or two from places such as Pompeii or Herculeum. 





Important people also had their portraits made into cameos. According to an advertisement in Godey's Lady's Book in January 1850, “Peabody the celebrated Cameo Portrait Cutter, 140 Chestnut Street, is kept busily engaged with the portraits of some of our most eminent citizens.” 




What is Jet?

Jet is fossilized wood. It has been used for making jewelry since ancient times. During the Victorian era, some of the finest Jet was mined from the cliffs of Whitby, England. Therefore, Whitby Jet in particular was in demand.

In 1851, The Great Exhibition of the Works of Industry of All Nations (sometimes referred to as the Crystal Palace Exhibition) was held in London. One of the Exhibitions featured Jet jewelry and its popularity quickly grew when it enjoyed royal patronage almost immediately.

When Queen Victoria’s husband, Prince Albert, died in 1861, Queen Victoria went into mourning and allowed only Jet jewelry to be worn at court. As usual, society followed court etiquette and Jet became very fashionable for mourning. However, though Jet was important for mourning jewelry, it continued as a very popular material for mainstream jewelry in general. Many non-mourning pieces were made from Jet.


Eventually production of Jet jewelry could not meet the demand so other similar-looking materials were substituted, such as French Jet (glass) or Vauxhall glass, or Vulcanite (a natural, hard rubber).


How to Distinguish Jet 

When rubbed against unglazed porcelain, true jet will leave a chocolate brown streak. Unlike glass, Jet is  warm to the touch. Also, when rubbed briskly onto silk or wool, true Jet will develop static electricity much like Amber.





Vulcanite: A Fashion Trend

Rubber Victorian jewelry? Yes indeed!

Upon the death of Queen Victoria’s husband, Prince Albert, black jewelry became the height of fashion as the queen chose to wear black the rest of her life. Consequently, black jewelry was fashioned from a wide variety of materials. One of those materials was Vulcanite.

Vulcanite is a substance formed by combining sulphur and India rubber, a natural rubber, and then heating - or vulcanizing - the mixture. It becomes a hard, black material, originally intended to take the place of ebony wood. Charles Goodyear is generally given credit for developing the process and his patent occurred in 1844.

Vulcanite (sometimes called Ebonite) can be confused with other substances such as Gutta Percha, Jet, French Jet, or Bog Oak. It helps to know that Vulcanite is a molded material with rounded edges, not carved with sharp edges like Jet or French Jet. It can be polished to have a matte sheen, but the finish will never be as glossy as Jet or French Jet. Bog Oak has growth lines since it is wood, but Vulcanite does not.

Gutta Percha is also a molded material, but it was almost always used for making utilitarian household and commercial items such as boot soles and gussets, buttons, carriage belts, tubs, pails, cables, golf balls, etc. Vulcanite, on the other hand, was used for every imaginable type of jewelry - earrings, brooches, watch fobs, lockets, etc. Originally manufactured as black jewelry, over time Vulcanite can turn brown.

Another way to try and identify whether or not the material is Vulcanite will be to rub the piece and if it is Vulcanite, it will smell like rubber.  If all else fails, you can do a taste test. Yes, actually lick the piece!  If the item tastes salty, it’s Gutta Percha. If not, it’s Vulcanite. If you don’t want to do the taste test, assume that the jewelry is Vulcanite and you’ll be right most of the time.

Here are some pictures from my collection. And just for fun, at the bottom is a pair of earrings in my shop made with genuine vintage Vulcanite! 

Victorian Vulcanite Lockets and Chains. Holly Sheen Collections.




Victorian Vulcanite Pendants. Holly Sheen Collections.



Victorian Vulcanite Bracelet. Holly Sheen Collections.

Victorian Vulcanite Brooches. Holly Sheen Collections.

Victorian Vulcanite Hair Combs. Holly Sheen Collections.

 

Victorian Coral Jewelry

“Florrie, too, looked very lovely, in her little white dress and coral armlets and necklace, her golden hair curling in little short ringlets all over her head, and her cheeks the color of a May rose.”  Godey’s Lady’s Book, June 1860 [emphasis mine]

The term ‘coral’ describes a vast group of marine invertebrates (animals without backbones). There are at least 100,000 known species throughout the world, and they are found everywhere - from the polar regions to the equatorial regions, and all depths from the intertidal zone to the deepest ocean trenches. Coral also occurs in an amazing array of colors - white, orange, pink, red, tan, gray, lavender and blue, all the way to black.

Coral has been used for jewelry and decorations for centuries by many peoples and has been traded around the world. The Victorians loved coral and an endless variety of beautifully carved jewelry dates from the era.

Because it is fairly soft, coral can easily scratch and scuff. Prolonged lights can cause it to darken and excessive heat can damage the finish. Even sweat from one’s hands can soften coral over time. Therefore, coral jewelry should be carefully taken care of. It is most safely stored in a cloth bag in controlled temperature.

A range of ages wore coral in a variety of ways, as the following quotes and pictures will illustrate:  

Fig. 2.  Zouave jacket of blue armure silk, embroidered.
The shirt, with wide bouffant sleeves, is made of white muslin,
buttoned up in front by a row of coral buttons or studs.
Godey's Lady's Book, July 1861


“Dress for evening, of perfectly plain white grenadine. The under skirt has three flounces of moderate width; the upper one is perfectly plain. There is no pattern, no edge of any description, to the flounces, sleeves, or waist - the richness of the material obviates it - with the exception of a rich satin ribbon, also of plain white, which forms the heading of the berthe, and has a bow on each shoulder and in the centre of the corsage, bracelets and belt-clasp of gold, set with red coral.”   
Godey’s Lady’s Book, July 1860



Le Bon Ton, March 1857

“The headdress consists of a wreath of the foliage of the service tree, intermingled with festoons of coral beads.”  
Godey’s Lady’s Book, September 1860

Portrait of Maria Sawiczewska, Leopold Loeffler, 1861
“The articles in wear for so long a time have been added to this fall - notwithstanding the pressure of the times, and the economical resolves of most families. Among them we note the rich combs of coral, ivory, silver, and gold, intended for evening wear, in full dress.”  
Godey’s Lady’s Book, September 1860

Detail, "Young Roman Girl with Basket of Fruit" (1847)
Johann Endler

“The newest hair nets are made of small shells or coral. They are very pretty and dressy.”
Godey’s Lady’s Book, September 1864

Ferdinand Schauss, Portrait of his wife, 1863
They even had recipes for faux coral as illustrated by this entry from Godey’s.

"ARTIFICIAL CORAL — This may be employed for forming grottos and for similar ornamentation. To two drachms of vermilion add one ounce of resin, and melt them together. Have ready the branches or twigs peeled and dried, and paint them over with this mixture while hot. The twigs being covered, hold them over a gentle fire, turning them round till they are perfectly covered and smooth. White coral may also be made with white lead, and black with lampblack, mixed with resin. When irregular branches are required, the sprays of an old black thorn are best adapted for the purpose; and for regular branches the young shoots of the elm are most suitable. Cinders, stones, or any other materials may be dipped into the mixture, and made to assume the appearance of coral." 
Godey’s Lady’s Book, August 1860

Comtesse Sauvigny, nee Marie Alice Singher by Auguste Pichon 1858
If you love coral as much as I do and need something pretty and Victorian, check out the coral in my shop! Here's a peek at some of my coral jewelry. Thanks for reading!


Victorian Carnelian Jewelry

Blazing fire, autumn color, flashing warmth - all of this is found in the lovely stone known as Carnelian! An interesting semi-precious gem stone we do not usually associate with Victorian jewelry, Carnelian (or Cornelian) is one of the oldest known gemstones and has actually been used decoratively for thousands of years, including the Victorian years.

1st Century B.C.
Found here
ca. 100-300 A.D.
Seen on Pinterest

ca. 1740s Germany
Found on V&A

A form of Chalcedony, Carnelian is transclucent and can range from blood red tones to lighter peachy tones. Other stones are also classified as forms of Chalcedony and a couple can be confused with Carnelian.  The name Sard can be used interchangeably with Carnelian, but it is generally accepted that Chalcedony is designated Carnelian on the redder end of the color spectrum and labeled Sard on the browner end of the spectrum.


Carnelian is as hard as glass. In fact, it is hard enough for engraving and carving. The stone was often used for signet rings because the wax wouldn’t stick to the carnelian. During the Victorian era it was frequently used for watch fobs.

Carnelian Intaglio Watch Fob and Seal

Some jewelry items incorporated Carnelian (or Sard) as an element. Cameos are an example of this. Often the darker colored "background" of a cameo is made from Carnelian. (As an aside, to make things confusing, cameos can be made from Carnelian stone, Sardonyx stone, Carnelian shell, and Sardonyx shell!)

Carnelian Shell Cameo - "Rebekah and the Well"
Seen on Antique Jewelry Mall

Queen Victoria further popularized Carnelian with her love of Scottish jewelry. She had Stuart ancestry and after she purchased Balmoral Castle in Scotland, she enthusiastically embraced all things Scottish. Naturally, fashion followed the Queen! Scottish jewelry often incorporated stones such as Agate, Moss Agate, Carnelian, Bloodstone, Jasper, and Cairngorm. And since the industrial revolution with its more efficient manufacturing techniques was well underway, semi-precious and non-precious jewelry became affordable for the emerging middle class.


You will be right in style accessorizing your 1860s ensemble with Carnelian. In the mid-1860s it seems to most often appear with other stones in jewelry pieces, but now and then it can be seen as a stand-alone element. One of my favorite styles of carnelian is when it is used in drop-style earrings.


I am currently offering Carnelian “drop” earrings in my shop. And if you are interested in purchasing a coordinating pair of Carnelian bead bracelets, let me know and I will custom-make a pair to fit your wrists!

Available in my shop

If you want to have fun looking at more historic Carnelian jewelry, check out my Pinterest board here! Enjoy!

Follow Holly Sheen's board Carnelian Jewelry on Pinterest.

Victorian Agate Jewelry

By the mid-Victorian era, jewelry had become affordable to the ‘mere masses.’ No longer was it the exclusive domain of the upper crust. Consequently, all sorts of experimentation took off in materials to make this middle-class jewelry. The variety is incredible.

Like today, trends often started due to a popular icon’s preferences. One of these jewelry trends was the agate craze because Queen Victoria sentimentally had some agate jewelry made for herself. The popularity of the lowly agate continued for decades.


Agates are definitely correct for your middle-to-upper-class Victorian reenacting impression. Agate jewelry could be found in a variety of price ranges, so many ladies of the 1860s would have been able to afford a piece of agate jewelry. Occasionally I make a pair of agate earrings or bracelets for my shop.

The brooch in the top photo is a good example of banded agates. It shows the "bands" as definite lines throughout.

Agate earrings were also very popular. (Notice the plain ‘shepherd’s hook’ earwires.) Almost any shape of bead turned out lovely because of the stripes in the rock.

All sorts of jewelry was made from agates. Notice this lovely cross necklace pendant. The light part of the cross would be translucent when held up to the light. 

Using the natural striations of the agates, different effects could be achieved in multi-stone jewelry. Note how the stripes are combined in the bracelet below.

These are all pictures I've found on jewelry sale sites.

Aren't agates beautiful? This is one of Queen Victoria's styles that I love to wear!