A Bit About Fans

Documentation for the usage of hand fans goes back centuries in time. Used by both men and women, the idea of a fan was an old tradition by the mid-1800s. Fans were a practical accessory as well as a pretty bit of frou frou. Air conditioning was not invented until 1902, so you can understand the need for a fan of some type.

The necessity for fans did not change through the centuries, but the sizes, styles, and materials did change.

Before further elaborating on styles, it will be helpful to note the parts of a fan with this diagram. (Courtesy of the Fan Association of North America (FANA))

In the 1860s there were different styles that were in use:


As the name implies, made of fabric or paper attached to sticks, this fan neatly folds closed on itself and opens into a semi-circle. During this era, these fans range from 8” to 11”, although 9” to 10.5” are the more commons sizes. The sticks and guards can be made of a variety of materials such as wood, bone, ivory, Mother-of-Pearl, tortoise shell, etc. The Leaf portion can also be made of a variety of materials as noted in the above diagram.


This fan also folds, but the sticks are of rigid material and are joined in place with a ribbon. The sticks themselves may be decoratively pierced or merely painted. This style varies in size.

Jenny Lind or Palmette

Another folding fan with individual silk leaves or palmettes attached to each stick and sewn together with a thread.


A folding fan that opens out into a complete circle. When the fan is opened, the guards come round and are latched together to become the handle.


A non-folding, rigid fan that is fixed on a stick. This type of fan can consist of various shapes, sizes, and materials, and is thought to be the oldest style of fan.

The industrial revolution brought about the concept of mass production and this affected fans as well. In 1859 Alphonse Baude perfected the machine manufacture of fan sticks. This reduced fans from expensive individual art objects to simply mass-produced products. However, this also made fans more affordable to the general public. Still a popular accessory in the 1860s, now nearly every lady could afford a fan of some type.

 At the Theatre, by James Hayllar
 Olga Charlotte Marie Gräfin zu Solms-Tecklenburg, by Eduard Robert Bary

Portrait of a Lady With a Fan, by Franz Xaver Winterhalter
Princess Victoria, by Franz Xaver Winterhalter
Portrait of Mrs Augusta Magniac, by Lord Frederic Leighton

These are some CDVs from my collection showing everyday ladies carrying fans. You can view more of my collection of fan-carrying women on this page on my website.

Feather Trees - An Old Tradition

Feather trees came about as an answer to a problem.

In Germany the popularity of Christmas trees was such that it threatened the country’s forests. It had become the practice to lop off the top off larger trees to create smaller trees for the home. Once topped of in this fashion, the trees no longer grew any taller and were nearly useless. Finally statutes were enacted limiting the citizens to no more than one tree. This action protected Germany’s forests.

Some creative person in the 1840s introduced the feather tree as a substitute to a live tree. Goose feathers were plentiful in Germany and a cottage industry soon developed. Regarded as the first artificial Victorian Christmas tree, the trees became very popular.

Germany’s forests were largely white pines which have wide spaces between their branches, so the feathers trees have the same design. Small artificial berries were added to the tip of each branch.

When German immigrants arrived in the United States to places like Texas and Pennsylvania, they brought their trees with them. Feather trees eventually became popular here after Sears Roebuck advertised them in their catalog. The fad continued until fading away during World War II.

I have chosen a green feather tree to add to our collection of trees in our home and I decorate it with vintage ornaments. Just for fun, underneath I have placed miniature toys, some of which are also vintage. This little tree doesn’t take up much room and it adds a festive air to my office. I love collecting miniatures, so the feather tree display gives me a good excuse to keep up the collecting hobby! And by displaying a feather tree, I am reviving a good ole Southern tradition in keeping with my Texas heritage.

Marsh Tacky – An Historic Horse

It is generally agreed that the Marsh Tacky horse is from Spanish stock that arrived in South Carolina when Spanish explorers brought in Spanish settlers in the 1500s. The Spanish colonies failed, but the Marsh Tacky lived on. Modern-day DNA testing has documented them to the ancient Colonial Spanish strain of horses.  

Tackies were largely concentrated in the southern lowcountry region of South Carolina and on its coastal islands. Due to the automobile and mechanization generally eliminating the need for horses, the Marsh Tacky seemed to disappear and was thought to have died out. However, there were those who all along were preserving the breed. Because the horses were rather isolated in the lowland regions of South Carolina, the breed stayed consistent through the years.

The Marsh Tacky is a smart, sturdy, "easy keeper." They are a gentle breed and their medium size (13.5 to 15 hands) make them a good choice for ladies and children. However, due to their strength and calm nature, they were also a popular choice as a working horse. In South Carolina Women in the Confederacy, the following short memory is related:
"Saddling Up" by Edward Benjamin Herberte
Under this same oak took place an interview which was the historical finale of views taken by the owner of a toy which had for many years been a treasure to Mrs. Elmore, the lady of the mansion, and an appanage well known in Columbia [South Carolina]. Colonel Elmore, in a late year of his life, had superintended the building of a light vehicle, to suit a pair of tiny marsh tackeys; and this personal equipage of his widow was ever regarded with a species of reverence by the daughters of the household; the great family compliment was conferred when one of them was invited to a seat in the phaeton with their mother. Many tackeys had dragged that carriage, and the last pair of the series made their exit some weeks before the 17th of February, 1865, being retired, for safe keeping, to the plantation in York District. 

Marsh Tackies played an important role earlier in South Carolina’s history as well. During the American Revolution against the British, many of General Francis Marion’s troops used these sturdy, sure-footed horses in their campaigns against the British since the breed was common to the area at that time. General Marion, known as the Swampfox, was a great tactician and he and his troops are thought to have had a technical advantage over the British in using Marsh Tackies for their mounts. The compact Marsh Tacky was well adapted to the was swampy terrain of the South Carolina lowlands, unlike the British horses.

A mounted beach patrol on Hilton Head Island during World War II
After the War Between the States, the Marsh Tacky endured as a dependable horse in the coastal island communities. They were used for farming as well as transportation. And even as late as World War II, Tackies were used in patrolling the beaches of South Carolina in protection of our shores from Nazi U-boats or other potential enemy landings.

Today there are dedicated associations whose aim is to preserve this enduring historic breed. After 400 years of South Carolina history, they are now officially designated as the State Heritage Horse of South Carolina.

What is Jet?

Jet is fossilized wood. It has been used for making jewelry since ancient times. During the Victorian era, some of the finest Jet was mined from the cliffs of Whitby, England. Therefore, Whitby Jet in particular was in demand.

In 1851, The Great Exhibition of the Works of Industry of All Nations (sometimes referred to as the Crystal Palace Exhibition) was held in London. One of the Exhibitions featured Jet jewelry and its popularity quickly grew when it enjoyed royal patronage almost immediately.

When Queen Victoria’s husband, Prince Albert, died in 1861, Queen Victoria went into mourning and allowed only Jet jewelry to be worn at court. As usual, society followed court etiquette and Jet became very fashionable for mourning. However, though Jet was important for mourning jewelry, it continued as a very popular material for mainstream jewelry in general. Many non-mourning pieces were made from Jet.

Eventually production of Jet jewelry could not meet the demand so other similar-looking materials were substituted, such as French Jet (glass) or Vauxhall glass, or Vulcanite (a natural, hard rubber).

How to Distinguish Jet 

When rubbed against unglazed porcelain, true jet will leave a chocolate brown streak. Unlike glass, Jet is  warm to the touch. Also, when rubbed briskly onto silk or wool, true Jet will develop static electricity much like Amber.

Modern jet is scarce and expensive. These onyx earrings in my shop closely resemble the look of jet for an affordable price.

Vulcanite: A Fashion Trend

Rubber Victorian jewelry? Yes indeed!

Upon the death of Queen Victoria’s husband, Prince Albert, black jewelry became the height of fashion as the queen chose to wear black the rest of her life. Consequently, black jewelry was fashioned from a wide variety of materials. One of those materials was Vulcanite.

Vulcanite is a substance formed by combining sulphur and India rubber, a natural rubber, and then heating - or vulcanizing - the mixture. It becomes a hard, black material, originally intended to take the place of ebony wood. Charles Goodyear is generally given credit for developing the process and his patent occurred in 1844.

Vulcanite (sometimes called Ebonite) can be confused with other substances such as Gutta Percha, Jet, French Jet, or Bog Oak. It helps to know that Vulcanite is a molded material with rounded edges, not carved with sharp edges like Jet or French Jet. It can be polished to have a matte sheen, but the finish will never be as glossy as Jet or French Jet. Bog Oak has growth lines since it is wood, but Vulcanite does not.

Gutta Percha is also a molded material, but it was almost always used for making utilitarian household and commercial items such as boot soles and gussets, buttons, carriage belts, tubs, pails, cables, golf balls, etc. Vulcanite, on the other hand, was used for every imaginable type of jewelry - earrings, brooches, watch fobs, lockets, etc. Originally manufactured as black jewelry, over time Vulcanite can turn brown.

Another way to try and identify whether or not the material is Vulcanite will be to rub the piece and if it is Vulcanite, it will smell like rubber.  If all else fails, you can do a taste test. Yes, actually lick the piece!  If the item tastes salty, it’s Gutta Percha. If not, it’s Vulcanite. If you don’t want to do the taste test, assume that the jewelry is Vulcanite and you’ll be right most of the time.

Here are some pictures from my collection. And just for fun, at the bottom is a pair of earrings in my shop made with genuine vintage Vulcanite! 

Victorian Vulcanite Lockets and Chains. Holly Sheen Collections.

Victorian Vulcanite Pendants. Holly Sheen Collections.

Victorian Vulcanite Bracelet. Holly Sheen Collections.

Victorian Vulcanite Brooches. Holly Sheen Collections.

Victorian Vulcanite Hair Combs. Holly Sheen Collections.


Who Was William Gilmore Simms?

William Gilmore Simms (1806-1870) was a very influential 19th-century southern writer who was nationally known and respected, second only to James Fenimore Cooper in popularity. Edgar Allan Poe considered Simms, "the best novelist which this country has, on the whole, produced." Simms was a prolific writer and perhaps more than any other 19th-century southern author, he gave an in-depth picture of the southern region.

Simms was born in Charleston, South Carolina, and lived most of his life in or around Charleston. However, he traveled widely, enabling him to incorporate his observations into his writings. His formal education was somewhat limited, but he more than made up for this lack in his extensive self-taught studies. Eventually he became a successful lawyer and served one term in the South Carolina House of Representatives.  After the death of his first wife, Simms married Chevillette Eliza Roach and through her marriage dowry he became head of a 4,000 acre plantation, Woodlands.  As a result of Simms’ literary stature, Woodlands became a center of literary activity with many distinguished visitors.

Woodlands, Simms' plantation home
Leading up to the War Between the States, Simms decidedly sided with the South and was outspoken against northern attitudes. When the war broke out, he continued to be politically involved in an advisory capacity to southern politicians and the Confederate military. He personally suffered heavy losses when Woodlands, his plantation, was twice burned—first in 1862 and again by terrorist Sherman’s men in 1865. Simms’ famous 10,000-volume library was destroyed by the invaders as well. Sadly, his wife had passed away in 1863, and then the destruction of his home nearly bankrupted him. He spent the rest of his life working relentlessly as a writer and editor in attempting to financially survive the aftermath of the horrible war.

During his life the prominent Simms published eighty-two works in a wide variety of genres including poetry, drama and orations, biography, history, short fiction, and novels in addition to editing several South Carolina newspapers and southern journals. Of his numerous novels, his most famous novel was The Yamassee: A Romance of Carolina. A fairly complete list of his numerous works is at this link.

In the years since the war, this prolific and influential Southern writer has been all but forgotten. Regardless of one’s view of the war, it is important to know that historically the South made significant cultural contributions to the United States. This literary figure is but one example, and I hope that with this introduction to Simms that you will find and enjoy his works.

Part of my William Gilmore Simms collection

Gloves in the Mid-1800s

Gloves have been worn for thousands of years. Some gloves were utilitarian, some were symbolic parts of a costume or ceremony, and some were purely a fashion accessory. Since at least the 17th century gloves have been available in three broad categories—leather, fabric, and knitted. Initially gloves were made entirely by hand. In the early 19th century technical innovations began to take place and eventually some mechanization was introduced later in the century.

In the 1860s, gloves are a fashion requirement. Though one can find exceptions in looking at CDVs, generally no lady would be out in public without her gloves. At this point in time gloves are wrist-length and come in a wide variety of materials and colors.

I have compiled a number of excerpts from various sources to give you an overview regarding gloves.

Blue Leather Gloves
Holly Sheen Collection
American Family Encyclopedia of Useful Knowledge or Book of 7223 Receipts and Facts: A Whole Library of Subjects Useful to Every Individual, by T. Webster and Mrs. Parkes (1856)
Gloves are made of various materials; leather, silk, linen thread, cotton thread, cotton cloths, and worsted. The good qualities of gloves are strength, warmth in winter, coolness in summer, elasticity in fitting well, and to be well sewed in the seams. There is a distinction, also, between those which will bear washing and such as will not; likewise in the manner of sewing. 

Of leather gloves there are a great many kinds, according to the quality of the material or the uses for which they are required. Of these the principal are:

Kid gloves, the most beautiful, from their softness, thinness, and elasticity, fitting the hand almost like a second skin. They are white, and dyed of all colours, but white kid is always worn in full dress. Limeric gloves…..Beaver gloves….Woodstock gloves…..Buck-skin….Doe-skin….Tan leather….

Thread gloves are either of linen or cotton thread; but it is the former only that are properly known in the shops by the name of thread gloves….They are a remarkably cool wear in the summer….

Cotton gloves are the cheapest of all and are dyed of various colours….

Jean, sateen, and cambric gloves are cut out of cotton cloth of these names, and sewed together , their use is confined to women.

Silk gloves….The French white are the best; they are also black, and coloured…Gloves are now also made remarkably cheap of spun silk.

Worsted gloves are of many kinds……Worsted gloves, though not so elegant as others, have a great advantage in their real warmth in cold weather.

The above gloves, of silk, cotton, and worsted, and thread, are now generally woven in the loom; knit gloves formerly so common, being seldom to be met with….Elastic wristbands to gloves are a late improvement.

Lavender Leather Gloves
Metropolitan Museum of Art
Gloves, Past and Present, by Willard M. Smith
It was not until the thirteenth century that the ladies of Europe blossomed forth in gloves—not of the mitten variety, but boasting four fingers as well as a thumb. The first to be introduced for the fair sex were made of linen, of simple design, and reached to the elbows to accommodate the short-sleeved gowns of the period. Not before Queen Elizabeth’s time, however, did the elaborately embroider, bejeweled and perfumed glove captivate woman’s fancy and satisfy her feminine dreams of beauty and extravagance.

….The truth of the matter was, French glovemakers early had won the first place in Europe. Struggle as she might, it is exceedingly doubtful whether her rival across the Channel [England] ever could have equaled her prestige. In the seventeenth century, Paris and Genoble enjoyed the monopoly of the glove markets of Europe…During the eighteenth century, however, these cities began to cope with Germany, Italy, Austria, and even Russia, in glove-making.

…About the year 1819, Vallet d’Artois, a French glove manufacturer, invented steel punches in three sizes, each of which would cut, or punch, out of leather two dozen gloves at once. This invention was the first step toward the introduction of modern machinery into the glove industry….

By minutely studying hands in the Hospital of Grenoble, [Xavier] Jouvain discovered and wrote out….thirty-two different sizes of hands. He furthermore recognized five types…this made three-hundred-and-twenty different numbers of gloves…he had discovered the caliber [pattern] in 1834 [and patented it]…

A later contribution to the technique of the glove was the modern style of fastener, introduced about 1855, by M. Raymond of Grenoble….Roux gives credit to Raymond for all the various changes and improvements in glove fasteners which we have today.

At the Opera by William Powell Frith
Gloves, by Valerie Cumming
At the beginning of the seventeenth century it was possible to buy all three types of glove that are available to us today, namely leather, fabric and knitted gloves....

--Regarding leather gloves--
In the eighteenth and nineteenth centuries there were a series of inventions in the textile industry and allied trades which mechanized many processes which had previously depended on the employment of large numbers of handworkers. Many of these advances were resisted, either by workers who were afraid of losing their livelihood, or by the master craftsmen who felt that no machine was capable of rivalling the skills and experience of trained workers……It was left to Xavier Jouvin, a young French medical student who came from Grenoble, the centre of French glovemaking, to develop this idea….he invented a glove pattern or caliber which he patented in 1834….All modern methods of glove sizing and pattern cutting are based on Jouvin’s system.

The other major development which speeded up glove manufacture was the adaptation of the sewing machine to the finicky and specialized stitching of the glove trade.

--Regarding fabric and knitted gloves—
Gloves or mittens of linen, silk or cotton and cut out and sewn in the manner of leather gloves, were not originally considered an adjunct of the glovemaking trade. In the seventeenth and eighteenth centuries they were usually made and supplied by the milliner or dressmaker….The skills required were essentially dressmaking ones, and the gloves or mittens made from fabric were often ordered or purchased because they complemented a particular dress, and because they were cooler and lighter to wear in warm weather or crowded rooms. Their major disadvantage was that they were rarely well fitting, and after one of two wearings they quickly lost their shape and any pretense of fit…..Today fabric gloves are considered a separate category from knitted gloves, but the two areas overlapped considerably during the period 1770-1870.

--The etiquette—
The etiquette of glove wearing was an important feature of nineteenth-century life…

The attributes of the perfect lady, the ideal to which many nineteenth-century writers and journalists in women’s magazines directed the aspirations of the susceptible included small hands and small feet. Hands could be made to appear smaller by being mercilessly crammed into tight gloves (it is no accident that glove stretchers appeared at this time to assist the vain purchaser in easing their gloves)...…

Gloves 1860-80 -- Short leather gloves with long lines of pointing on the back of the hand were worn by men and women of all classes in the latter half of the 19th century…..

Glove Making, The Art & The Craft, by Gwen Emlyn-Jones
As a matter of personal ornament, gloves—as distinct from utilitarian gloves—do not seem to have been in general use in Britain until about the thirteenth century, when women began to wear them, usually of linen and reaching the elbow. It was Queen Elizabeth, some three centuries later, who definitely fixed the glove as part of the etiquette and manners of social life.

Perfumed gloves became so universal that they were often given at the universities to college tenants as well as to guests of distinction. They are mentioned by Shakespeare. Winter’s Tale sings of ‘Gloves as sweet as damask rose’, and in Much Ado About Nothing Hero says to Beatrix—‘These gloves the Count sent me, they are an excellent perfume.’ Incidentally, Shakespeare’s father was a glover.

Lady with Gloves
Holly Sheen Collection
Hints on Etiquette (1837)
[To men] Do not insist upon pulling off your glove on a very hot day when you shake hands with a lady. If it be off, why, all very well; but it is better to run the risk of being considered ungallant than to present a clammy ungloved hand.

[Both sexes] Always wear your gloves in church or in a theatre.

[Women] Ladies should never dine with their gloves on – unless their hands are not fit to be seen.

The Behavior Book: A Manual for Ladies (1855)
Above all, do not travel in white kid gloves. Respectable women never do.

It is not admissible to try on kid gloves in a store. After buying a pair, ask for the glove-stretcher, (which they keep in all good shops, for the convenience of the customers,) and then stretch the gloves upon it, unless you have a glove-stretcher at home. This will render them easy to put on when you take them into wear. Glove-stretchers are to be bought at the variety stores; or ought to be. They will save many a new glove from tearing.

The American Family Encyclopedia of Useful Knowledge, or Book of 7223 Receipts and Fact (1859) P. 998

Kid gloves, the most beautiful, from their softness, thinness, and elasticity, fitting the hand almost like a second skin. They are white, and dyed of all colours, but white kid is always worn in full dress.

Gloves are made of various materials; leather, silk, linen thread, cotton thread, cotton cloths, and worsted. The good qualities of gloves are strength, warmth in the winter, coolness in summer, elasticity in fitting well, and to be well sewed in the seams. There is a distinction, also, between those which will bear washing and such as will not; likewise in the manner of sewing.

Machines have been lately invented for sewing leather gloves, by which the process is performed more accurately, and which reduces the price.

Thread gloves are either of linen or cotton thread; but it is the former only that are properly known in the shops by the name of thread gloves, though it is now a common practice to pass off cotton thread for linen thread. They are a remarkably cool wear in summer, and bear washing perfectlyly; they are sometimes of unbleached yarn.

Cotton gloves are the cheapest of all, and are dyed of various colours; being warm, they are much in use for common wear.

Silk gloves; these are of various qualities, determined by their weight and the neatness of the workmanship. The French white are the best; they are also black, and coloured. A figured silk net glove has lately come much into use among ladies; it is extremely elegant, and cool in summer. Gloves are now also made remarkably cheap of spun silk.

Worsted gloves are of many kinds…..Worsted gloves, though not so elegant as other, have a great advantage in their real warmth in cold weather…….Elastic wristbands to gloves are a late improvement.

Cotton Gloves
Metropolitan Museum of Art
P. 1076

Wash-leather gloves, as their name implies, may be easily washed with soap and water; when nearly dry, the fingers should be stretched with a piece of wood.


White and coloured kid gloves are more difficult to clean; but it is said they may be cleaned perfectly by laying them on a clean towel, rubbing them with a piece of flannel dipped in a hot, strong lather of white soap, till the dirt is removed, using as little water as possible. Hang them up at a distance from the fire to dry gradually, and after they are quite dry, pull out the shrivels and stretch them on the hand.

Peterson’s, February 1860
A Paris letter writer states that, as an addition to the ball-room toilet, the distinguished perfumer and glove-maker, Faguer, stitches the white kid gloves with blue, pink, or violet silk, according to the color of the robe with which the gloves are to be worn. The glove, fastened with two buttons on the back of the wrist, is also a novelty.

Peterson’s, April 1860
There is a new caprice in gloves, which has the merit of novelty, if not of beauty—none other than the long Spanish gloves, embroidered in gold or silver, and which will soon, they say, become indispensable additions to a grand toilet.

Peterson’s, September 1860
Kid gloves, or those of Saxon leather embroidered, may now, more easily than ever, be found to match the colors of the dress, for we see them of several new tints, such as gillyflower, deep green, and blue; but very light gloves, as straw or maize, will always be the most stylish, and the only ones that form a suitable complement to an elegant toilet.

Peterson’s, October 1860
The Venetian gloves, which we noticed last winter as a great novelty, are now quite popular. These gloves are embroidered, and bound with a color contrasting with that of the leather, and fasted above the wrist by six small gilt buttons.

Etiquette For All or Rules of Conduct (1861)
Gloves, trifling as they may appear, give the finishing touch to a lady’s dress. They should invariably be worn when out of doors, whether visiting, shopping, at church, concerts, or any place of amusement or public resort. White gloves are worn only in full dress; the colour of the dress should regulate the hues of those worn on other occasions.

English Women’s Clothing in the Nineteenth Century, by C. Willett Cunnington
Paris kid [gloves], two button….one button…
Gauntlet gloves for wearing with ‘yachting jackets’

Peterson’s, April 1862
Kid gloves of light color, with one or two buttons, and embroidered in little squares at the back of the hand, are the most distingue.

Peterson’s, February 1864
These now indispensable articles of the toilet were not generally deemed necessary in England until the days of Queen Anne, although their origin is of sufficient antiquity for Xenophon to mention them as a proof of the effeminancy of the Persians. We have Cicero’s authority for saying their use was long customary with the Romans. In the middle ages, gloves were used only by the aristocracy of England, and highly ornament. Even when general in Queen Anne’s time, they were so highly esteemed as to form a customary New Year’s gift.

Peterson’s Magazine, December 1864
Those pleasing hues of yellow, brown, or tan color, are readily imparted to leather gloves, by this simple process; Steep saffron in soft, boiling water for twelve hours; then, having sewed up the tops of the gloves to prevent the dye from staining the insides, wet them over with a sponge dipped into the liquid. The quantity of saffron, as well as of water, depends on how much dye maybe wanted, and their relative proportions on the depth of color required. A common teacup will contain quite sufficient in quantity for a single pair of gloves.

Ecru Leather Gloves
Holly Sheen Collection
Godey’s Lady’s Book, 1860
Where dancing is expected to take place, no one should go without new kid gloves; nothing is so revolting as to see one person in an assembly ungloved, especially where the heat of the room, and the exercise together, are sure to make the hands redder than usual.....

Straw-colored gloves, with two buttons, and worked with lavender color.

Godey’s Lady’s Book, 1861
…The gloves have two buttons at the wrist and scalloped tops.

The Josephine gloves, of a peculiar cut, and the Mathilde glove, bordered at the wrist with a row of dahlia leaves, stamped out, are to be seen on the hands of our belles.

White bonnets are the most becoming to all complexions, but should almost invariably have white strings, to admit of any color dress being worn, as strings of an opposite and not harmonious contrast will spoil the whole appearance of the toilet. The same remark may be applied to the gloves, which should be in strict union with the dress, and if possible, be obtained of the same hue, and where not, steel or stone, or drab-colored or black, for ordinary wear, and lemon-colored for dress.

Godey’s, Lady’s Book, 1862
Gants de Swede, or undressed kid gloves with embroidered backs, are now very fashionable. They are to be had of all colors and styles, and are less expensive than the finished kid gloves.

Godey’s Lady’s Book, 1863
Uniformity of color is one of the principal characteristics of a fashionable toilet at the present day. In Paris, ladies adopt one color for bonnet, mantle, dress, gloves, boots, and parasol. Frequently, also, the petticoat is of the same color.

To Wash White Thread Gloves and Stockings—
These articles are so delicate as to require great care in washing, and they must not on any account be rubbed. Make a lather of white soap and cold water, and put it into a saucepan. Soap the gloves or stockings well, put them in, and set the saucepan over the fire. When they have come to a hard boil, take them off, and when cool enough for your hand, squeeze them in the water. Having prepared a fresh cold lather, boil them again in that. Then take the pan off the fire, and squeeze them well again, after which they can be stretched, dried, and then ironed on the wrong side.

Godey’s Lady’s Book, 1864
We saw at Stewart’s quite a novelty in kid gloves. They were of light colors covered with little waving lines or small stars or pin dots. We mention these merely as a novelty, for they are far from pretty. We particularly admire the buff, stitched with black, and the pure white ones.

Silk gloves have just appeared with Tartan gauntlets, and we suppose will be adopted.

Hillgrove’s Ball Room Guide and Practical Dancer (1863)
The gloves should fit to a nicety.

Gloves should be removed at the supper-table. Servants in waiting are the only persons privileged to wear them.

The Fashionable Dancer’s Casket or the Ball-Room Instructor (1856)
The gloves should fit to a nicety.

Rose O'Neal Greenhow with gloves that "fit to a nicety!"